55th BFI London Film Festival Programme

London, Wednesday 7 September: The programme for the 55th BFI London Film Festival in partnership with American Express launched today by Artistic Director Sandra Hebron, celebrates the imagination and excellence of international filmmaking from both established and emerging talent. Over 16 days the Festival will screen a total of 204 fiction and documentary features, including 13 World Premieres, 18 International Premieres and 22 European Premieres*. There will also be screenings of 110 live action and animated shorts. Many of the films will be presented by their directors, cast members and crew, some of whom will also take part in career interviews, masterclasses, and other special events. The 55th BFI London Film Festival will run from 12-27 October.

GALAS & SPECIAL SCREENINGS:
Opening the festival is Fernando Meirelles’ 360, written by Peter Morgan, and starring Sir Anthony Hopkins, Jude Law and Rachel Weisz. Weisz is also the star of Terence Davies’ closing night film, THE DEEP BLUE SEA, alongside a cast which includes Simon Russell Beale and Tom Hiddleston. Key talent will be in attendance for both films. George Clooney features in two Gala presentations - the political thriller THE IDES OF MARCH which he directs and stars in alongside Ryan Gosling, Evan Rachel Wood, Philip Seymour Hoffman and Paul Giamatti, and THE DESCENDANTS, Alexander Payne’s latest feature. Among several literary adaptations are Lynne Ramsay’s WE NEED TO TALK ABOUT KEVIN with Tilda Swinton, John C. Reilly and Ezra Miller; TRISHNA, Michael Winterbottom’s reworking of Thomas Hardy’s Tess of the D’Urbervilles, with Freida Pinto and Riz Ahmed; and CORIOLANUS with Ralph Fiennes directing as well as taking the lead role alongside Gerard Butler and Vanessa Redgrave. Redgrave is also cast in Roland Emmerich’s ANONYMOUS with Rhys Ifans, Joely Richardson and David Thewlis. Madonna directs romantic drama W.E. which stars Abbie Cornish, Andrea Riseborough and James D’Arcy whilst Steve McQueen’s second feature SHAME has a cast that includes Carey Mulligan and Michael Fassbender. Fassbender can also be seen alongside Viggo Mortensen and Keira Knightley in David Cronenberg’s A DANGEROUS METHOD. Foreign language cinema is represented by THE KID WITH A BIKE, the Cannes Grand Prix winner from the Dardenne brothers; Nanni Moretti’s WE HAVE A POPE; and Michel Ocelot’s enchanting animation TALES OF THE NIGHT. Hollywood’s silent era is celebrated in Michel Hazanavicius’ THE ARTIST
 * Figures correct at time of printing
whilst this year’s Archive Gala is the BFI National Archive’s restoration of Miles Mander’s THE FIRST BORN with a new score by Stephen Horne.

FILM ON THE SQUARE:
Showcasing some of this year’s most anticipated and acclaimed films, the selection includes work from renowned directors such as Roman Polanski (CARNAGE), Gus Van Sant (RESTLESS), Werner Herzog (INTO THE ABYSS: A TALE OF DEATH, A TALE OF LIFE), Todd Solondz (DARK HORSE), Jonathan Demme (I’M CAROLYN PARKER) and Jonas Mekas (SLEEPLESS NIGHTS STORIES). Star power is provided by Jack Black in Richard Linklater’s BERNIE; Sean Penn in Paolo Sorrentino’s THIS MUST BE THE PLACE; Joseph Gordon-Levitt teams with Seth Rogen in Jonathan Levine’s 50/50, whilst Woody Harrelson stars in Oren Moverman’s RAMPART, developed from a screenplay by James Ellroy. British films include Andrea Arnold’s bold retelling of WUTHERING HEIGHTS, Marc Evans’ HUNKY DORY, a celebration of pre-punk 70s pop culture, and Nick Broomfield’s SARAH PALIN – YOU BETCHA! International cinema takes centre stage in the West End with a powerful selection of premieres including Norway’s Joachim Trier’s stunning OSLO, AUGUST 31st; Bruno Dumont’s provocative HORS SATAN; and Cannes Grand Prix winner Nuri Bilge Ceylan’s audacious ONCE UPON A TIME IN ANATOLIA. Mexico’s Gerardo Naranjo delivers a thrilling action film with MISS BALA, whist divided family life in Japan is the focus of Hirokazu Kore-eda’s engaging I WISH, and Australia’s most infamous serial murder case inspires Justin Kurzel’s first feature SNOWTOWN. Other feature debuts include Dee Rees’s emotionally powerful PARIAH; Sean Durkin’s beautifully disturbing MARTHA MARCY MAY MARLENE and Nick Murphy’s 1920s set supernatural tale THE AWAKENING.

NEW BRITISH CINEMA:
Original cinematic voices from across the UK making their debuts this year include D.R. Hood with the haunting WRECKERS starring Claire Foy and Benedict Cumberbatch, and Tinge Krishnan with the social drama JUNKHEARTS in which Eddie Marsan heads a cast which includes Tom Sturridge and Romola Garai. London is the setting for Dexter Fletcher’s drama WILD BILL, starring Charlie Creed-Miles; and Andrew Haigh’s second feature, WEEKEND, is an original and affecting romance. Nirpal Bhogal’s fresh young cast enliven urban drama SKET, and LOTUS EATERS finds director Alexandra McGuinness introducing us to the city’s indulgent, affluent youth. Frances Lea’s STRAWBERRY FIELDS provides an escape to the country with a story of lust, rivalry and liberation. A strong selection of British work include films which imaginatively blur the boundaries between documentary and drama such as Richard Jobson’s response to the Iraq war, THE SOMNAMBULISTS, Simon Pummell’s SHOCK HEAD SOUL and DREAMS OF A LIFE by Carol Morley. Paul Kelly’s portrait of cult hero, LAWRENCE OF BELGRAVIA and Daniel Edelsyn’s HOW TO RE-ESTABLISH A VODKA EMPIRE round out the documentary selection.

FRENCH REVOLUTIONS:
The focus on French cinema brings a wide range of new and established filmmakers including Dominik Moll, with THE MONK starring Vincent Cassel and Geraldine Chaplin. Chaplin also appears with Salma Hayek in AMERICANO, the feature debut of actor Mathieu Demy. From the directorial team of Nicolas Klotz and Elisabeth Perceval, LOW LIFE is a study of the trials facing French youth that has universal resonance whilst Laurent Achard provides a macabre touch in LAST SCREENING and popular comedian Emmanuel Mouret brings wry comedy to THE ART OF LOVE. Among a number of French directors returning to the Festival are Mathieu Amalric with a modern adaptation of Corneille’s classic play, THE SCREEN ILLUSION, Jean-Marc Moutout examining executive culture in EARLY ONE MORNING and Mathieu Kassovitz directing himself in the provocative military drama, REBELLION.

CINEMA EUROPA:
A diverse selection of filmmakers bring Europe into focus with films from countries including Belgium, Bulgaria, Ireland, Sweden, Austria, Romania, Poland, Slovakia, The Czech Republic, Denmark, The Netherlands, Russia and Iceland, as well as Italy, Spain and Germany. Highlights include Benito Zambrano’s post-Spanish Civil War drama THE SLEEPING VOICE; Iceland’s Rúnar Rúnarsson’s VOLCANO; Angelina Nikonova’s TWILIGHT PORTRAIT, a study in Russian institutional corruption, Andrea Molaioli’s Italian conspiratorial drama THE JEWEL , Ulrich Köhler’s SLEEPING SICKNESS and the World Premiere of Hans Weingartner’s HUT IN THE WOODS. There are a number of outstanding directorial debuts which include Jonathan Cenzual Burley’s absurdist road movie, THE SOUL OF FLIES; Andrea Segre’s LI AND THE POET and Marie Kreutzer’s THE FATHERLESS. From Germany, the unique DREILEBEN project brings together Christian Petzold, Dominik Graf and Christoph Hochhäusler with three very different features that share an incidental starting point. Documentary features include Andrey Paounov’s THE BOY WHO WAS A KING and WHORES’ GLORY from Michael Glawogger, who will be one of the four Austrian filmmakers with work in the Festival who will be participating in a special panel discussion on the current state of Austrian cinema.

WORLD CINEMA:
An extensive selection of the finest features and documentaries from across the globe includes new films from well known filmmakers and emerging voices. Highlights from the US include NATURAL SELECTION, the brilliant debut from Robbie Pickering that swept the board at this year’s SXSW Film Festival awards; Ken Kesey and The Merry Band of Pranksters’ trek across America is revisited in MAGIC TRIP from directors Alison Ellwood and Alex Gibney; whilst a journey of a different kind features in Braden King’s HERE, part road-movie, part love-story and part investigation of cinema itself. Tristan Patterson’s skateboarding documentary DRAGONSLAYER and Michael Barnett’s hugely entertaining SUPERHEROES about real life crimefighters offer fascinating glimpses of American life. Latin American cinema is well represented with HARD LABOUR, a blistering dissection of the class structure of Brazilian society from directors Juliana Rojas and Marco Dutra;
KAREN CRIES ON THE BUS, the debut feature from Colombia’s Gabriel Rojas Vera; Laura Citarella’s OSTENDE and Santiago Mitre’s THE STUDENT, both from Argentina. The notable rise of ethnically Tibetan filmmaking is evidenced in Pema Tseden’s OLD DOG and Sonthar Gyal’s THE SUN-BEATEN PATH whilst other East Asian highlights include Hong Sangsoo’s THE DAY HE ARRIVES and Kim Kyung-Mook’s STATELESS THINGS, both from South Korea; Jiang Wen’s LET THE BULLETS FLY, China’s highest-grossing film; Ann Hui’s A SIMPLE LIFE, and Yuya Ishii’s MITSUKO DELIVERS. Indian cinema is represented this year by titles including Salim Ahamed’s ABU, SON OF ADAM, a rare and poignant tale of Muslim community life in Kerala; Gurvinder Singh’s ALMS OF THE BLIND HORSE and Kaushik Mukherjee’s cult film in the making ASSHOLE.

EXPERIMENTA:
This year’s programme features an innovative and cutting edge selection of films to inspire. Highlights include TWO YEARS AT SEA, the new work from Jarman Prize nominee and Rotterdam Tiger Award winner Ben Rivers; CORRESPONDENCE: JONAS MEKAS – JL GUERÍN, a series of five cinematic letters presented in Spanish and English; and FREE RADICALS: A HISTORY OF EXPERIMENTAL FILM from Pip Chodorov. Lewis Klahr returns to the Festival with THE PETTIFOGGER and other featured filmmakers include Phil Solomon, Chick Strand, Gabriel Abrantes, Robert Fenz and Nathaniel Dorsky. Altered States is a selection of shorts from filmmakers including Ben Russell, Neil Beloufa, Mary Helena Clark and Deborah Stratman.

TREASURES FROM THE ARCHIVE:
Highlighting invaluable restoration work, these cinematic treasures will entertain and capture the imagination in equal measure. Titles include a digital restoration of George Sidney’s exuberant, good-natured satire on rock’n’roll BYE BYE BIRDIE with Janet Leigh; Humphrey Bogart stars in Edward Dmytrik’s epic THE CAINE MUTINY; Elia Kazan’s Oscar-winning AMERICA, AMERICA and Marcel Carné’s timeless masterpiece, LES ENFANTS DU PARADIS. The latest restoration by Martin Scorsese’s World Cinema Foundation, LAW OF THE BORDER will also feature alongside the little seen Roberto Rossellini film, THE MACHINE THAT KILLS BAD PEOPLE. One of two colour features from the prolific Japanese master Kenji Mizoguchi, SHIN-HEIKE MONOGATARI, will play in the section along with WE CAN’T GO HOME AGAIN by Nicholas Ray, a film which anticipated experiments by Jean Luc Godard, Mike Figgis et al. And from close to home comes WONDERFUL LONDON programme, restored by the BFI National Archive, in which directors Harry B. Parkinson and Frank Miller capture some of the most evocative images of the capital in the mid-1920s.

SHORT CUTS AND ANIMATION:
A strong line-up of short films and animation that will captivate audiences young and old make up this year’s programme. Animation from around the globe is covered including a
dedicated collection aimed at the younger audience, Animated Shorts for Younger Audiences, which include FUNNY ALPHABET and PICKELS IN A PICKLE. Exciting new filmmakers from the capital are showcased in London Calling, experiences of modern urban living are the focus of The Suburbs, and LONG DISTANCE INFORMATION and HOLD ON ME feature in The School of Life, a series dealing with issues such as family duty and conscience. Talent spotters will be able to see established names including Nicholas Hoult, Michael Fassbender and Luke Treadaway, along with new shorts from director Terry Gilliam and comedian Matthew Holness.

EVENTS:
To accompany the screenings, the festival will present an extensive programme of public events featuring panel discussions, on-stage interviews and masterclasses. There will also be a number of free events. This year’s Screen Talks, presented in partnership with American Express, feature directors Michael Winterbottom and Alexander Payne. The Masterclasses, presented in partnership with Swarovski, feature celebrated writer Abi Morgan, writer-director Miranda July, award-winning composer Alexandre Desplat and cinematographer Barry Ackroyd. Other highlights include an in-depth look at the making of WE NEED TO TALK ABOUT KEVIN with key members of the cast and crew, one of three free to access events presented in collaboration with Time Out.

AWARDS:
The BFI London Film Festival Awards recognise creative excellence from both new and established filmmaking talent. Taking place on 26 October at LSO St Luke’s, awards presented include: Best Film, The Grierson Award for Best Documentary, The Sutherland Award for most imaginative and original first feature in the festival, Best British Newcomer Award and the BFI Fellowship. This year’s jurors and full awards shortlists will be announced on 4 Oct – full details will be available at bfi.org.uk/lff.

FILM GUESTS:
In addition to many of the names already highlighted, we expect to welcome guests including Alexander Payne, Andrea Arnold, Azazel Jacobs, Ben Rivers, Braden King, Bruno Dumont, Carol Morley, David Cronenberg, Dexter Fletcher, Elisabeth Olsen, Fernando Meirelles, Freida Pinto, George Clooney, Hans Weingartner, Harry Belafonte, Jean-Pierre and Luc Dardenne, Joe Swanberg, Jonas Mekas, Jonathan Demme, Lynne Ramsay, Marina Goldovskaya, Michael Fassbender, Michael Shannon, Michael Winterbottom, Miranda July, Nanni Moretti, Nuri Bilge Ceylan, Phil Solomon, Ralph Fiennes, Roland Emmerich, Sean Durkin, Shailene Woodley, Terence Davies and Yorgos Lanthimos.

FESTIVAL INFORMATION AND TICKET BOOKING
Tickets go on sale to the public on 26 September
Telephone Bookings: 0207 928 3232 between 09.30 – 20.30
Online: www.bfi.org.uk/lff (no booking or postal fee)
In person: BFI Southbank Office: 11.30 – 20.30
BFI Members receive priority booking : join at www.bfi.org.uk/join
nb. Tickets are available to be purchased on the day about 30 minutes prior to the screening at Festival venues

THE 55th BFI FILM FESTIVAL SPONSORS AND FUNDERS
We are delighted to welcome American Express back for their second year as Principal Sponsor.
We thank DCMS and we acknowledge and are very grateful for the support the Festival receives from the National Lottery. We are delighted to be supported directly by the Mayor of London for the first time as a funding contributor, alongside Skillset.
We are proud to continue to work with American Airlines, the Festival’s long-standing official airline. The Festival is also pleased to be working with Jameson Irish Whiskey, the Official Spirit of the Festival, who this year are sponsoring the Film on the Square strand. TV5Monde will return to sponsor the French Revolutions strand for their seventh consecutive year and for the first year sponsoring an Education Event . New Official Beer Partner Kirin Ichiban will sponsor the Short Cuts and Animations strand. We are also pleased to be working again with Swarovski who will be supporting both our Masterclasses and the Best British Newcomer Award. We also welcome new sponsor MontBlanc to the Awards this year.
Many thanks to the Festival’s generous in-kind Sponsors: returning Official Hotel The May Fair; returning Official Festival Car Supplier Renault; returning photography sponsor Getty Images; cinema advertising partner Digital Cinema Media; returning cinema partner Vue; and official make up brand MAC Cosmetics . Additionally, we would like to thank Soho House, Odeon, Midnite Express, Official water sponsor Icelandic Glacial, Green & Black’s Organic chocolate, The Picture Production Company, CBS Outdoor, The Hospital Club, Impact Distribution and the Curzon Cinemas for their continued support.
We are delighted to welcome back Media Partner Evening Standard, as well as valued Broadcast Partner BBC London. Thanks also goes to returning Media Partners Empire, Time Out, Sight & Sound, Variety, Screen International, The Hollywood Reporter and LOVEFiLM for continuing to provide invaluable media support.
The Festival would also like to give a huge thanks to Christie digital projectors, Newman Displays and Molinare .
Finally, the Festival would like to thank Adobe, MEDIA Desk UK and the many embassies and cultural institutes who support the Festival by helping to bring in filmmakers to present their work.